“Edge of the World” follows The Sweetest Condition’s 2013 EP, “Truth & Light.” Dual-parts sinful and sensual, hopeful and bleak, “Edge of the World” is an 11-song commentary on humanity, anti-conformity, self-loathing, and dream chasing — a danceable catalyst for transformation. The album reveals visceral stories, lashing synth riffs, chorus hooks, and stabbing guitars, paying tribute to iconic sounds of the ’80s and industrial muscle of the ’90s. At its core, the music is raw, unforgiving emotion.

“Edge of the World,” the debut album by The Sweetest Condition, was released independently worldwide on August 28, 2015. Since its release, the music has been featured on radio programs around the world, including Communion After Dark (on iTunes’ What’s Hot list). The Sweetest Condition was recognized by GEWC (German Electronic Music Charts) in September 2015, and Dark Horizons Radio named the band Artist of the Month in October 2015.

PRESS REVIEWS:

"From start to finish, 'Edge of the World' tugs at the heartstrings for those with a love for the dance-friendly, sing-along synthpop of the ‘80s, toughened up with a hint of ‘90s industrial/rock tinges and darkwave atmosphere. … Comparisons to the electrified goth/rock of The Birthday Massacre mixed with the darkly engaging electro-pop of The Azoic or Collide are sure to resound.” –Ilker Yücel, ReGen Magazine, Baltimore, MD, May 19, 2016

“Music that uses hooks to sneak into your psyche before making it’s home in your head and your heart. Sweetly seductive and seriously sinister. It’s an iron fist in a velvet glove. There are darker edges to some of the material and it definitely has substance, but [there are also] fantastic eighties-style melodies given muscle with 21st century production and perspective.” —Sean Cooper, Alternate Parallel Reality, Australia, April 20, 2016

“The Sweetest Condition without a doubt adds to the synthpop genre, mixing many different elements from ’80’s and ’90s pop and industrial rock, with relatable styles to Depeche Mode and Nine Inch Nails.” –Trent B. Minia, 24OurMusic, Montreal, Quebec, Album Rating: 8.2/10

"‘Edge of the World’ is a complete package, with its song order constructed to ebb and flow, most satisfying to listen to in order, from beginning to end.” —Geoff Wilbur’s Music Blog, Boston, MA, March 17, 2016

“‘Edge of the World' is an incredible album that is filled to bursting with the sort of music that could easily dominate the dance-floors. These are all songs made with care, passion and purpose.” —John Crofts, Johannesburg, South Africa, 925|Rebellion, March 12, 2016

“Solid electro-pop elements really make this a great work for fans of The Azoic and The Razor Skyline.” —Gothic Paradise, California, May 31, 2016

“Definitely one of the most solid, well-done albums in the electronic, goth-ish, dance music [genres]. Each song is very accessible, has thought and meaning, and is melodically pleasing. 4.0/5.0 stars.” – Morte McAdaver, Feb. 24, 2016

“Insistent grooves and powerful, surging choruses … a potent aural cocktail. … Lyrically, love and war are common themes and seemingly interchangeable, both causes of pain, regret and deep wounds.” –Christopher Nosnibor, Whisperin’ and Hollerin’, York, UK, and Schull, Ireland, May 29, 2016

“Best songs: ‘Watch You Fall,’ ‘Now,’ ‘Secret,’ ‘Control.’” —Inferno Sound Diaries, Side-Line Music Magazine, Belgium, Feb. 7, 2016

“This is top-drawer industrial-synthpop that is well-produced, has a killer hook and had me hunting out the album after one listen.” –Adam Williams/DJ:Traumahound, A Model of Control, “Tuesday Ten: 248: Tracks of the Month,” London, England, Feb. 2, 2016

“‘Edge of the World’ shines with a unique dark electronic style, strong female vocals and polished production. … Strong instrumental arrangements; powerful lyrics that tell engaging stories.” —Chuck Frey, Modern Synthpop, Wisconsin, Jan. 12, 2016

“11 dynamic tracks that inevitably draw the listener on the dance floor. Prompt, rousing melodies and the clean, clear production. A little darkwave, plenty of ’80s charm, and industrial-influences of the ’90s. The Sweetest Condition has a knack for catchy, electronic dance music. Earwigs are guaranteed.” —Conny Ohm, DeepGround Magazine, Germany, Dec. 19, 2015

“‘Edge of the World’ takes the listeners on a grand voyage into synthpop conceived on the influences from the ’80s synth era and a bit of industrial touch. What makes this album a whole package is a strong dance beat they are unwilling to abandon throughout the album.” —Marija Buljeta, ALTvenger Magazine, Nov. 19, 2015

“Overall a good album; one of the best of the year. Rating: 5+/6 Stars.” —Dr. Doom (Christian Ehlert), Nightmare-HorrorMovies, Germany, Fall 2015

“'Edge of the World' follows the band’s 2013 five-song EP 'Truth & Light,' featuring 11 tracks that the band describes as ‘commentary on humanity, anti-conformity, self-loathing, and dream-chasing—a catalyst for transformation.’” —Ilker Yücel, Editor-in-Chief, ReGen Magazine, Aug. 20, 2015

“Most of the disc trends more synth-pop, with the NIN-esque harsh edge called upon less frequently but judiciously. Throughout the disc there’s perhaps as much Thompson Twins, Human League, and Eurythmics in the mix, stylistically. Overall, ‘Edge of the World’ is a well-written, lyrically and musically interesting disc that relies on a solid balance of rhythm, vocals and controlled power to bridge the gap between its genre (industrial synth-pop) and a broader listening audience.” —Geoff Wilbur, Geoff Wilbur’s Music Blog, Boston, MA, March 17, 2016